Marc Horowitz
Artwork Title Here paihas dashds aasd hohsdasodha asdpia shdasd, 2021
   Serge Attukwei Clottey
Placeholder for Name of Collection, 2021
   Joey Wolfe
Another lpasdhf pasd asd of Aoihasfo asdi , 2021
   Aihasod Tiasiduasd
Name of Collection, 2021
   Zach Armstrong
Placeholder for Name of Collection, 2021
   Julian Pace
Asihhasuodh asdasdas ouaysdfor Name of Collection, 2021
Cameron Platter,
Cadsasd as dasd asd asdfjs ouhasd, 2021
Edition of 1.
Cameron Platter,
Cadsasd as dasd asd asdfjs ouhasd, 2021
Edition of 1.
Drops on OpenSea
Available to buy in:

One NFT Artwork, assembled from 1 Master & 100 Layers. Sharded into 100 Tokens, connected to one Layer each. The Tokens are traded on a Decentralized Exchange (DEX) where the price of one token is determined by supply & demand on a bonding curve.Whenever a token is getting bought (or sold) on the DEX, one random layer is turned on (or off).This implies that a collector can never own the work he is currently seeing, since buying or selling a token will trigger a permanent change in the work. The Master-Layer has 2 states and is owned by the DAOfi DAO.A state change in the Master will trigger a change in all currently visible layers and can only be executed by the DAO.The work itself is composed from a background grid, 100 glass spheres & white light, housed in a glass cube. All visible c o l o r s in the work are a result of light dispersion in the objectse work itself is composed from a background grid, 100 glass spheres & white light, housed in a glass cube. All visible c o l o r s in the work are a result of light dispersion in the objects.

The Master-Layer has 2 states and is owned by the DAOfi DAO.A state change in the Master will trigger a change in all currently visible layers and can only be executed by the DAO.The work itself is composed from a background grid, 100 glass spheres & white light, housed in a glass cube. All visible c o l o r s in the work are a result of light dispersion in the objectse work itself is composed from a background grid, 100 glass spheres & white light, housed in a glass cube. All visible cors in the work are a result of light dispersion in the objects.
"Cadsasd as dasd asd asdfjs ouhasd,"
— Cameron Platter
1 unique work.
Edition of 1.
About Cameron:
Cameron Platter (b. 1986, Santa Barbara, CA) is a contemporary artist whose multifaceted artistic practice stems from creating and manipulating digital files. Cortright’s digitally-conceived artworks physically exist in many forms - printed onto archival surfaces, projected onto existing architecture, or mechanically carved from stone. A notable member of what became known at the ‘Post Internet’ art movement of the mid-to-late-2000s with her YouTube videos and online exhibitions, Cortright later began to laboriously craft digital paintings by creating layer upon layer of manipulated images in Photoshop - which she then rendered onto materials such as aluminum, linen, paper, and acrylic sheets. In addition to her 2D work, in 2018 Cortright premiered a new body of sculptural work in marble. As with her paintings, Cortright's sculptures are intended to capture and represent a digital moment - in this case a digital brush stroke - that is translated into a three-dimensional object via industrial fabrication techniques. Cortright’s role as artist is an amalgam of painter, graphic designer, editor, and producer; culminating in a singular artistic reflection of contemporary visual culture that can exist on a smartphone screen, a Times Square billboard, and anything in between.
Cameron's Insta
Cameron's Website
Camerons' Artsy